創作理念  Artist Statement
 

「我的創作關注生活中細微的情感，在日常的氛圍中，層層描繪出空間與物件所構置而成的內在情境。以情景交疊的方式，將片段的畫面安排於畫布上的物理空間，重新組織情與景所形成的空間。尤其以室內的場景，那些圍繞與貼近生活的樣貌，作為創作時情感投射的主軸。

 

其中，處理物件與物件彼此之間的關係，為創作中可被察覺的主題。無論在圖像上，傢俱物件的擺置，與絹印紋樣的排列，或是隱藏在圖像下，曾經的情感與痕跡，都成為畫面裡個人所抒寫的細節。我試想將物件比擬為人與人之間關係的化身，暗示著觀看的距離與所處的位置，透過親密與熟悉的視角，安置在創作中。

 

作品中的空間，由平塗的技法構成，以色塊的厚度與其肌理質感來堆疊有關室內的形式。而絹版印刷的使用，濃縮了自身繁複的創作時間，將扁平的圖層轉換為畫布上細緻的紋樣，經由重複、變形，轉至意義的賦予。技法的使用置換成自身觀看空間的形式，在過程中漸漸地產生階段性的面貌與差異。

 

以日常作為個人創作的基底，在反覆描繪與調色的同時，期許能將日常的私密轉化為一種共有的場景，切入情感之外的連結。」 ── 温孟瑜

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“My creation focuses on the delicate emotion in life. In the daily life atmosphere, I thoroughly depict the inner situation that is constructed by space and items. I use the method of situation stacking to arrange the scene fragments on the physical area of a canvas, and to reorganize the space that is constructed by feeling and scene. I use especially those indoor scenes that surround and close to the face of daily life to become my main theme of emotional projection during creation.

 

Among all, an observable topic of creation is the relationship among items. No matter graphics, the placement of furniture and items, the arrangement of print patterns, or the previous emotion and marks that are hidden under graphics, they all become the details that I elaborate in my paintings. I try to make items to become a metaphor of the relationships among people. The metaphor implies the distance of watching and the existed location. Through an intimate and familiar perspective, they are all settled in a creation.

 

The space in the creations is constructed by plain and patterned style. It is made by the thickness of color and the texture quality to stack up the style about indoor area. The use of print patterns (serigraphy) condenses its complicated creation time. I converse those flatten layers into the delicate texture on a canvas, and through replication and transformation, they are granted for meaning. The use of technique is displaced by the style that I observe space, and in the process there are staged appearances and differences created.

 

The basis of my creation is daily life. During the time that I repeatedly depict and mix color, I expect that I can transform the private daily life into a commonly shared scene, and build up the links other than emotion.” ── Wen Meng-Yu